Directed by Ding Yiteng
Based on Frankenstein by Mary Shelley
25th Oct. 2019, 19:00
26th Oct. 2019, 14:00／19:00
27th Oct. 2019, 14:00
WHERE: Ancient Courtyard Theatre
Duration: 90 minutes (without intermission)
Performed in Chinese, with Chinese and English subtitles
Frankenstein's cast is from Poland, France, and China. The languages, cultures and the dramatic conventions of all countries are very different. Overcoming this difference and influencing these characters with the director's "new stylization" theatrical view, making them a harmonious unification... and preserving the individual identity of each actor... this play in itself is a daunting challenge...
– Wu Dong, You Ran
Ding Yiteng, as the director, is reluctant to give up anything. Obviously, he did his best.
– Lv Yanni
On the one hand, the pattern of having Chinese directors and international actors collaborating on a play and presenting it on the platform of China's first-class contemporary theatre festival is a breakthrough in itself; on the other hand, for the work itself, the director has practiced his "new stylization" approach on foreign actors, through which he sees hope and problems; and the work is more complete than his previous works, in terms of narrative and thematic expression, and is closer to the “sacrifice” Glotowski proposed that the director wants to achieve.
– Wang Run, Among Big and Small Stages
About Frankenstein: Paradise Lost in Darkness
This play applies the new concept with Chinese aesthetic style in contemporary drama performing — “New Codiﬁcation” and seeks inspiration from the psychoanalysis theory founded by Sigmund Freud in light of The Interpretation of Dreams to creatively reshape the ﬁrst sci-ﬁ in human history written by British novelist Mary Shelley — Frankenstein.
Wei Duo’s father passed away when she was a child, and after some time her mother married her stepfather. Wei Duo is sexual assaulted by her stepfather, but her mother only advise her to put up with it. With her boyfriend’s support, she regains hope in her life, before being deprived of it again when her boyfriend dies in an accident. Wei Duo is beaten down by this blow,she begins to fantasize that her boyfriend has come back to life, and falls into a bizarre dream.
Appear in the dream a Creature who looks like her boyfriend. The bloodsucking and savage Creature is enlightened by the Master later, replacing blood and flesh with tomatoes. The Creature wants to rescue Wei Duo but she chooses to commit suicide in her dream……
This is a really topsy-turvy dream and those hard-to-speak-of scars ripped open, layer by layer.
Director: Ding Yiteng
Original Fiction: Mary Shelley（UK）
Script Advisor: Lissa Tyler Renaud (USA)
Artistic Guidance: Jiang Tao
Artistic Consultant: Peng Tao
Psychology Consultant: Zhang Ping
Literary Consultant: Liu Miyang
Dramaturges: Ruan Luqiao, Zhu Li
Producer: Hu Yingyue
Co-producer: Wei Jiayi
Stage Design: Tong Sijun
Stage Manager: Zhang Daohan
Style Design: Zhang Ruimeng
Secondary Style Design: Zhang Xiaoyu
Music Director: Liu Huiyuan
Musical Compositions: Wang Tianqi, Liu Huiyuan
Poster Design: Li Xiaoyan
Lighting Design: Kong Wei
Sound Design: Wang Wenyan
Translators: Aegean Liu, Zhu Li
Publicist: Zheng Xindi
Stage Design Assistant: An Linsheng
Ding Yiteng - Creature
Yue Yien - Wei Duo
Qie Yi - Stepfather
Hu Qianling - Mother
Feng Tian - Master/Little Creature
Kang Tongge - Spirit/Great-grandmother
He Xindi - Spirit/Female Creature
Liu Huiyuan - Sitar/Yang Performing
Wang Tianqi - Electronic Music Synthesizer
About Ding Yiteng
Ding Yiteng is a PhD student of Directing in The Central Academy of Drama in Beijing.
He is hailed as “the pioneering young theatre director of the new generation in contemporary China” and “the super-popular theatre youth in China today” in the theatre circle.
The international drama magazine in America Scene4 commented him as “the shining artist of his generation”.
Ding’s absurd performing style with explosive appeal has received universal acclamation by the theatre directing master Eugenio Barba in Denmark, the renowned actors Huang Bo and Wen Zhang as well as the dramatist Shi Hang in China. His directing works such as Injustice to Tou O, Frankenstein: The Dream of Ice and Fire, Dream of a Drunk Poet and Macbeth and Fleance all attempt to merge the artistic quintessence of traditions and contemporary times as well as of the Eastern and Western cultures, and to interpret classics with full style echoing with the era, which have formed an unignorable fiery force in China’s theatre realm.